Rachel Donadio’s essay in Sunday’s New York Times (“It’s Not You, It’s Your Books”) explores the touchy subject of reading habits in romantic relationships. Say you liked Jonathan Franzen’s “The Corrections” or “The Fountainhead” by Ayn Rand and you find out your date didn’t. Poof. Instant turn-off factor. The disclosure causes the same illogical deflation as the sight of someone clutching a fork like a shovel. Some habits aren’t sexy. With books, it’s a matter of taste, so it’s even more important.
I don't mean downtown. I mean it's neighborhoods, where a lot of people live in rundown houses and apartment buildings.
Most people who drive in and out of the city every day for work do not see these neighborhoods. But there are a lot of them, despite numerous programs to demolish, renovate, or build better housing for people whose income falls below the median. The pace of improvement has been falling far behind the pace of decay for more than a decade.
So I consider it a stroke of luck when a grant application calling for a "hypothesis" crossed my desk -- just one day after I helped my daughter put together a middle school science fair project. I actually knew how to phrase a hypothesis, and WXXI was awarded money to conduct experiments to test my hypothesis.
So what is a broadcast news director doing in the laboratory?
Cary Ratcliff writes by leaps and bounds. The lines of his songs might jump a fifth, slide back down, and hover around a series of pitches before leaping up again. Difficult to perform but easy on the ear. Lyrical.
He’s also a working composer, far from the dreaded ivory tower. On a gleaming black Steinway in his light-filled living room, Ratcliff's written music that’s been sung by thousands of singers of all ages and abilities. His children’s opera "Mice and Beans" is being staged April 26-27 in San Diego. New York City Opera will read Ratcliff’s “Eleni” in May, and in July, the Rochester Oratorio Society will take a section of the “Ode to Common Things” to Beijing and Shanghai.
Venues present themselves like creatures of the night. They get made-up, or don’t, wash up a bit, or not, display darkness and light in codes their customers are lured toPor Vida.
It’s all about attitude. It was the Molotov Lounge. Austin in March of 2007.
Bikers, aggressive punks, music critics, folk music fans, feminists, the generally rebellious. They filled this place. I swear in one of the only two booths was a Midwestern family, kids and all. Inside a rather threatening room, what could have brought together such a wildly diverse crowd.
One of the most remarkable shows I’ve ever seen was in a punk bar in Austin, 2007. It looked like the inside of an old diner stripped of anything and everything. What could have once been a lunch counter was the bar. No windows, just vacant spaces inside empty window frames.
It looked like a fire had gutted the downstairs of structures and function, then been splashed with dull, black paint to remove any remaining color.
Not the sort of place you would imagine a most memorable show happeningEric Taylor album art.
The performer was Michelle Shocked. Sally Timms opened. The venue became part of the show in a way no other venue would have worked.
The National Association for the Education of Young Children (NAEYC) first established the Week of the Young Child (WOYC) in 1971 recognizing that the early childhood years (birth through age 8) lay the foundation for children’s success in school and later life.
Each April, child advocates celebrate the Month of the Young Child. This is a time when communities and individuals recognize the needs and
rights of young children and their families.
Another short and sweet post. I’m in my second week of getting up at 4:00 a.m. to host the local classical music morning show, and I’m a little tapped out. (I'll have some richer material for you, including a bizarre RPO-related story that landed in my e-mail this week. But I can’t get to it until later.) So I’ll stoop to cat-blogging with this message from Skitty and a picture taken this morning in our muddy garden.
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