“Do I love you because you're beautiful, or are you beautiful because I love you? Do I want you because you're wonderful, or are you wonderful because I want you? Are you the sweet invention of a lover's dream, or are you really as beautiful as you seem?” - Oscar Hammerstein II
Time flies like an arrow…
Fruit flies like a banana Eric Taylor 2
It’s a luxury, both as performer and an audience, when a show stretches out like one long story. Everyone listening. Songs intertwined with tales of the road, lost weekends, lost friends, and lost love.
A few months ago, writer Justin Davidson drove through the rain to the Brooklyn Lyceum to review Eastman conductor Brad Lubman’s performance of new music with the Wordless Music Orchestra. Davidson describes a scene where “the dress code is scruffy and the vibe is one of curiosity rather than reverence.” Rochester’s new classical music scene thrums with the same energy, particularly when Eastman students disregard conventions of the classical music culture and strike out for new territory.
Composer Philip Glass, who wrote music for the Los Angeles Olympics and the Athens Games, says “I think that we should pull out” of the summer contest in Beijing. He has political reasons. Read his comments in the April 21st edition of New York Magazine.
The word "greenology" has not made it into any dictionary yet, but I'm guessing it's only a matter of time. Google it. It's already becoming a cliche on the World Wide Web.
There are greenology sites that explain all things green, and there are a number of businesses jumping on the green wagon by calling themselves names like Greenology Plant Care. My favorite is a link to a t-shirt:
Greenology could also become a political approach that could be used when the economy is lousy, the budget is in the red, your favored projects appear to be flailing, you've lost a lawsuit, and controversy surrounds several recent actions taken by local lawmakers belonging to your political party.
The WXXI Public Broadcasting Council is proud to introduce an important new voice for the arts: Penny, the Artsy Hamster.
Born in a plastic bin in Petsmart, she recently accepted a new post as family pet, relocating to a cage in a private Western New York home. Inspired by Skitty, the popular author of “Secret Confessions from Skitty,” Penny now offers to share her considerable knowledge about the arts with you.
Her first question comes from Anonymous in Hightstown, New Jersey:
There’s a cartoon I want to show you, and I can’t find it, so I’ll just have to describe it. A single panel shows a child slumped at the dinner table, his face cupped in his hands, a portrait of utter dejection. His mother hovers over him, patting his shoulder and saying, “I’m sorry, dear! I remember when I met my first radio deejay, too.”
In the past week, there has been a lot in the news regarding kids, particularly teens, and social media. If the sensational story about 8 teens in Florida was the first that you had heard of teens videotaping their own violent acts or fights, I hate to tell you that it is (unfortunately) more pervasive than you think.
The May Radio Drive is nearly upon us! We need your input as to what time slots you would like to work. The schedule is below. Please check your calendar, select the dates and times you want and give Judy Cutaia a call at (585) 258-0255. Judy's line is busy? Call the membership number (585) 258-0200 and give the information to Jane, Dawn, Carolyn, Sharon or any of the wonderful WXXI staff.
The Rochester Oratorio Society is rehearsing Carmina Burana, the secular cantata by Carl Off, composed in the 1930’s. It's based on a thirteenth century manuscript discovered in a Bavarian monastery. Beloved by singers and derided by critics for its lack of polyphony, Carmina celebrates spring, sex, love, and drinking, all while bemoaning the vagaries of fate. It’s fun stuff. In the upcoming May performance, the conductor has decided to use the “Coro Piccolo,” that is, to have a small chorus sing some of the sections instead of the full choir singing everything. This doesn’t please those left out, and during last night’s rehearsal, a few confessed to feeling resentful. “I KNOW that part,” said one soprano chosen to sit out during the small chorus sections.
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