Mind and heart
By Brenda Tremblay ~ Posted Tue, 04/08/2008 - 11:06am
"Why, when safely seated and merely listening, should our hearts beat faster, our temperature rise, our toes start tapping, our minds start racing after the music, hoping it will go one way and watching it go the other, deceived and disgruntled when we are unconvinced, elated and grateful when we acquiesce? . . . Music demands an alert mind of intellectual capacity, but it is far from being an intellectual exercise. Musical cerebration as a game for its own sake may fascinate a small minority of experts or specialists, but it has not true significance unless its rhythmic patterns and melodic designs, its harmonic tensions and expressive timbres penetrate the deepest layer of our subconscious mind. It is, in fact, the immediacy of this marriage of mind and heart, this very fusion of musical cerebration directed toward an emotionally purposeful end that typifies the art of music and makes it different from all other arts."
- from "Copland on Music" by Aaron Copland
Wednesday at Hochstein: Copland's Appalachian Spring. More here.