OK, so we all know how cool the MET Opera at the movies is. And that Sabres game they played outside in the snow was super-sweet. The San Francisco Opera jumped on these two ideas, and decided to simulcast opera performances in the Giants' baseball stadium. This all got me thinking about other ways we could supersize classical music...
"I'd abolish all music competitions. People should be judged on their merits, not against other people. And I'd like to dispel the myth that high art is snobbish – it just needs a bit of effort on both sides." With sentiment like that, this diva clearly has her feet firmly rooted on the ground.
The Bird's NestDuring the 2008 Beijing Olympics, China staged eye-popping public ceremonies in the Bird's Nest, an iconic stadium built for the occasion. Last summer, singers in the Rochester Oratorio Society zipped by the Nest about two weeks before the Games began. It was thrilling to see it in person!Radio host abandons dignity to strike a pose
Now the Bird's Nest is in the news again. With seating for 90,000 spectators, the Nest has stood virtually empty since the Games ended. But it may be saved by the arts; more specifically, by a production of Puccini's Turandot.
You can walk in, touch, feel, and listen in the space where Aaron Copland wrote his memoirs and a number of major works.
I’m a history geek, so I love the fact that Copland’s house in Cortlandt Manor, N.Y., has been declared a national historic landmark by the National Park Service. It’s the only national landmark devoted to a American classical music composer. Copland House now houses a nonprofit organization that runs musical and educational programs. Check out the website. You can see pictures by clicking here.
The modest, nineteenth century, two-story house has Art Deco touches and a small basement, which the singer remodeled for enjoying music and hanging out with friends. Conductor Arturo Toscanini said she had “a voice such as one hears only once in a 100 years.”
In 1939, after the Daughters of the American Revolution refused to let her sing at Washington D.C.'s Constitution Hall, Anderson performed for 75,000 people at the Lincoln Memorial.