Look what I found backstage the other day when I was hosting "Live from Hochstein." It's a diagram of the set up for a performance of the Monteverdi Vespers of 1610 at the Hochstein Performance Hall on Sunday, April 19th at 4:00 p.m.
What does "avant-guarde" mean in 2015? Good question. This piece on The Newshour caught my attention for a couple of reasons. First, it involves the Kronos Quartet still being amazing. Second, Rochester is absolutely ready for a music festival like this.
This morning I sat down to talk with Peter Elliot, a friend and former neighbor of the late composer David Diamond. At Jines on Park Avenue (with the fabulous mezzo-soprano Stephanie Blythe eating breakfast only a few tables away!) Peter pulled out a white plastic bag stuffed with treasures: a whimsical letter from David to his kid brother (see picture below), the first Diamond LP he owned, and a fistful of old photos of the composer spending time with the Elliot family on Edgerton Street.
During my sojourn to Copland House, I talked with pianist and Artistic and Executive Director Michael Boriskin. ď»żď»żIn this podcast, you'll hear the story of how a grassroots movement saved Aaron Copland's house, how the composer thought to honor his favorite teacher in his garden, and how the house serves to promote the creation of new music.
I recently made a pilgrimage to the Copland House north of New York City. It's pretty much as he left it: simple, rustic, and woodsy. A little musty. Watch this space for more, including an interview with the composer-in-residence, Stephen Snowden, and enjoy this scrapbook.
You would think walking into the Metropolitan Opera House would be a serene experience. But not this past weekend. A double bill of Tchaikovskyâ€™s â€śIolantaâ€ť and Bartokâ€™s â€śBluebeardâ€™s Castleâ€ť had been already canceled because of a blizzard warning.
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