Ten random strangers are willing to judge you, based exclusively on your looks, when you upload your picture to Facestat.com. The site uses Amazon Mechanical Turk, an automated web service named after an 18th-century chess-playing mannequin, which turns artificial intelligence on its head by making requests of humans. On Facestat, people judge faces. Among other things, they’ll estimate your intelligence, relationship status, and whether or not you were drunk at the time the picture was taken.
Thanks to Gerry Szymanski, Andrew Galbraith-Ryer, Christoph Sahar, Eric Fundin, RPO Music Director Christopher Seaman and my mom for coming up with great questions for superstar cellist Yo-Yo Ma. I asked him all of your questions, and you can hear his answers in this interview.
Yo-Yo Ma talks about losing his cello, the upcoming Beijing Olympics, and playing with a robot conductor next month. He was warm, funny, and forthright. He’ll appear with the RPO on Monday, May 5th.
After Yo-Yo Ma leaves Rochester next week, he’ll play under the baton of a robot with the Detroit Symphony Orchestra, according to Wired magazine.
A robot might have done a better job than guest conductor Alexander Mickelthwate, who made his first appearance with the RPO this past weekend. The D & C’s Stuart Low got it right: the hot, young conductor from Winnipeg was boring. Unnamed sources say local musicians concurred.
On Saturday afternoon, hundreds of opera lovers at Victor’s Regal Theatre missed significant chunks of Donizetti’s “La Fille du Regiment” during The Met at the Movies HD broadcast. The video broke up and the sound dropped out at the beginning of the second Act. We watched distorted faces and heard digitized squawks for about a minute. Then the screen went blue. We waited. A staff member rushed in and said they were working on the problem. About ten minutes later, the sound came back and the singers reappeared. Then it happened again. Audiences members groaned, since things were getting really interesting with the shocking disclosure of the Duchess’s illegitimate daughter!
I made the questionable decision to bring two nine year-old boys to work with me yesterday, based on the idealistic assumption that exposing them to the world of music and ideas would fire their imaginations, expand their horizons, and change their lives.
By the end of the day, I needed a shot of whisky.
First, we set off for the suite of Entercom-owned commercial radio stations across the street, where my son and his friend met a bunch of charming, funny deejays. One guy put them on the air. This act turned out to be hard to beat.
“Do I love you because you're beautiful, or are you beautiful because I love you? Do I want you because you're wonderful, or are you wonderful because I want you? Are you the sweet invention of a lover's dream, or are you really as beautiful as you seem?” - Oscar Hammerstein II
A few months ago, writer Justin Davidson drove through the rain to the Brooklyn Lyceum to review Eastman conductor Brad Lubman’s performance of new music with the Wordless Music Orchestra. Davidson describes a scene where “the dress code is scruffy and the vibe is one of curiosity rather than reverence.” Rochester’s new classical music scene thrums with the same energy, particularly when Eastman students disregard conventions of the classical music culture and strike out for new territory.
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