A decade ago, when guitarist Sharon Isbin recorded the lullaby "Cancion de Cuna," by Cuban composer Leo Brower, she wrote that she was in a state of bliss, remembering her experience of "floating down the Napo River in a dugout canoe with piranhas, electric eels, and glistening crocodiles afoot."
This week, when she plays the same piece with the Rochester Philharmonic Orchestra, she'll hear it in a whole new light. Read my concert preview in this week's City newspaper here:
My high school alma mater may drop its Latin program next year. That’s not a huge deal to most people, I know, but if you think of it an indicator, it signals change in the rural school districts around Rochester: a significant drop in the population of young people in small towns.
There are fewer kids in rural schools. Batavia Daily News reporter Tom Rivers (and, in the name of full disclosure, my brother-in-law) describes the changes in a thorough report below, posted with his permission.
As you’ll see, Tom’s story focuses on sports and science programs and the effects smaller classes may have on what schools can offer. Schools such as Elba, Byron-Bergen, and Oakfield-Alabama might have to team up to offer certain classes and sports programs.
If you walk your dog in Toronto’s Jean Sibelius Square, take a leash.
As of January 1st, unleashed dogs were officially banned from the park named for the famous Scandinavian composer, Jean Sibelius. The centrally located park lies near Bathurst and Dupont streets.
Dogs’ rights aside, the park underscores the incredible popularity of Sibelius, who lived from 1865-1957. I can’t think of a composer alive today so universally revered. I’ve been reading about Jean Sibelius, and my appreciation for his music is moving beyond “Finlandia” worship. He loved nature, birds, and drinking. He was a homebody, full of self-doubt, despite his fame.
Last week, I started complaining about the muddy, colorless winter weather. Today, I’m delighted every time I glance outside. The garden is etched in black and white, transformed into an Escher lithograph. Balls of ice-encrusted bee balm sway on brittle stalks. Privet bushes hunker down, nearly smothered by the heavy, wet snow. Cardinals flit, electric red. I declare this the loveliest winter weather ever, especially if you like shape and form and contrast.
The Jerry Springer show -- that mesmerizing, down-market, slugfest -- has inspired an opera, and the first reviews are in: it’s good.
In today’s New York Times, Ben Brantley writes:
“If the real “Jerry Springer Show” turns its rowdy, angry guests into objects of sneering sport, 'Jerry Springer: The Opera' sees them as figures of passion, whose impulses, however base, translate into song that reaches for the stars.”
My friend Carl Pultz pointed me to The Idler’s website. Tom Hodgkinson (a.k.a “The Idler”) writes about his efforts to -- as he beautifully puts it -- “return dignity to the art of loafing.” But I don’t believe Tom is a great idler. He’s too productive. His recent article about Facebook in The Guardian newspaper is long and well researched. It explains why Tom despises Facebook, the online social networking site with 59 million current users and 2 million new ones each week.
I was going to write a blog today that started with the line, “facebook is evil.”
But I need more time on that subject. Check back later.
Instead, here's an interesting news item about the Rochester Philharmonic Orchestra.
Less than 1 percent of the repertory that orchestras played last year was composed by a black or Latino composer. The RPO has joined a new, national consortium of orchestras to commission major orchestral works from minority composers.
It’s enigmatically named the Sphinx Commissioning Consortium.
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