“So you see, imagination needs moodling - long, inefficient, happy idling, dawdling and puttering.” - Brenda Ueland
My colleague Simon and I slipped out for coffee the other day.
Heading out the back door, we nearly tripped over a tropical plant sticking out of a plastic bag.
Who would throw out that nice plant? I wondered to myself. Did someone get fired? Is it dead? Would it fit in my car? I should adopt that plant, no, wait, I kill houseplants. Maybe it’s still alive. I don’t want it, but it’ll die out here . . .
While I was running down this maternal track, Simon whipped out his camera phone.
Quartsemble's new album, Tango
Today a few Rochesterians will go hear string quartet Quartsemble perform in the Hochstein Performance Hall.
Next month, others will hear the same group -- in a bar.
WRUR’s Scott Regan tipped me off to the fact that Quartsemble has been playing a monthly gig at the Flipside Bar and Grill. (Next time they’ll play is December 16th. http://www.flipsidebarandgrill.com/)
A lot of classical musicians, impatient with the clunky cultural trappings of the traditional scene, are popping up in unexpected places.
Baltimore-based saxophonist Brian Sacawa writes about his experience playing bars,
Monday night. Off to Oratorio Society to practice singing Handel’s Messiah.
I’m not alone. Hundreds of local singers all over Western New York are preparing for what’s become a holiday ritual. Adding up the performances from my group, the Rochester Chamber Orchestra, The Publick Musick, and dozens of smaller choirs, you could probably hear Messiah live twice a week until Christmas. Beats shopping.
In a feeble effort to live a more mindful existence, I recently started taking notes during rehearsals.
My notes look like this:
“All WL Sheep like NBC theme.”
“Poor Eric w/ broken arm!!”
“Gates have no heads.”
According to today’s Toronto Star, the National Arts Centre (NAC) and the Toronto Symphony Orchestra (TSO) plan to establish a major new summer music festival. Presently, they’re calling it Project Niagara. The Shaw Festival folk are thrilled.
The performances would be held on a covered stage area with lots of seating on the lawn.
From May to September, this “Tanglewood North” would be a place to hear the NAC Orchestra conducted by Pinchas Zukerman and the TSO, led by Peter Oundjian.
Imagine you’ve shelled out $31 for a ticket to hear the RPO. The players are warming up. The lights dim. A lanky young man walks out on stage. He’s wearing jeans and a T-shirt. He flips back his bangs and makes a short speech about the importance of the orchestra, asking the crowd to support it as much as possible.
Ohmygosh! It's Rochester teen pop idol Teddy Geiger! Talking about the RPO!
He finishes his speech and saunters offstage. A few audience members are whistling and clapping. Others are scratching their heads.
The site is organized by genre and by type of music including live concerts, studio sessions, artist interviews, profiles, reviews, blogs and podcasts.
NPR Music is a creative collaboration with KEXP and KPLU Seattle; KUT Austin; WBGO Newark; WDUQ Pittsburgh; WFUV and WNYC New York; WGBH Boston; WGUC Cincinnati; Folk Alley.com (WKSU) Kent, Ohio; WXPN Philadelphia, and Minnesota Public Radio.
Maybe WXXI will be part of this partnership in the future.
6:15 p.m. on Friday. Swathed in black velvet and hunched over a small plastic tub of macaroni and cheese, it occurred to me that much of my life revolves around the very High and the very Low, sometimes both at the same time.
It was Friday night, at the end of a crazy-busy day at work. I showered, dressed, and headed back out to the Rochester Early Music Festival.
Until that moment, the whole day had felt stuck on fast forward. Then someone hit the pause button.
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