Marvin Hamlisch, the singularly productive and sensationally decorated composer, was honored during Live From Lincoln Center on New Year's Eve.
Copland summer reading is going well, and I'll post an update next week on what I'm learning. I'm not sure if this will lead to any grander conclusions that I so optimistically predicted last week, but I'm having a lot of fun reading about Copland's life - where and how he lived and worked, along with his connections with other musicians, artists, and writers.
Enough - this post is not about Copland - instead, it's about a project that was completed in fewer hours than it will take me to read that book: the Wall\Therapy mural at The Little Theatre.
A few friends sat on a porch in Rochester on a recent cool summer night. There was music, and beer, and some talk of going hiking. The music varied as different people used Spotify to play Nick Waterhouse, Leonard Cohen, Olivia Tremor Control, Wilco, and whatever else came to mind.
Late at night, late enough to be almost early, one of the denizens of this porch called up Copland’s music for The Red Pony. He then turned to me, the ostensible classical music expert, and asked: “Why do I like this music? What makes it so good?”
A study by the Internet-based market research firm Harris Interactive revealed that 57 percent of Americans ended 2011 with unused vacation time, working, on average, 11 of their allotted days off. That’s 70 percent of their potential time to relax and spend time with family and friends!
Why do so many of us work rather than rest?
We might take a cue from classical musicians who find creative ways to combine work and pleasure, especially in the summer months.
Maestro Gustavo Dudamel shares the podium with conductors James Conlon and Semyon Bychkov in August.