There’s a cartoon I want to show you, and I can’t find it, so I’ll just have to describe it. A single panel shows a child slumped at the dinner table, his face cupped in his hands, a portrait of utter dejection. His mother hovers over him, patting his shoulder and saying, “I’m sorry, dear! I remember when I met my first radio deejay, too.”
For quick reference, I've created this handy excitement level ratings chart for you. It's not in chronological order, and the opinions expressed do not in any way represent WXXI, its underwriters, or contributing supporters.
Check out this picture of North Korea taken by satellite at night. It says a lot about the country’s insular, repressive regime. This morning I got the chance to interview clarinetist Robert Dilutis of the Rochester Philharmonic Orchestra. He’s traveling as a sub with the New York Philharmonic Orchestra.
Word on the street is that Rochester Philharmonic Orchestra clarinetist Robert DiLutis is in North Korea with the New York Philharmonic. He was tapped to sub for someone who couldn’t go.
On Tuesday, the orchestra will play in Pyongyang, the North Korean capital. This is the first visit by an American cultural group to that country since President Bush lumped it into the “axis of evil.” According to the State Department, President Bush is encouraging the visit.
A decade ago, when guitarist Sharon Isbin recorded the lullaby "Cancion de Cuna," by Cuban composer Leo Brower, she wrote that she was in a state of bliss, remembering her experience of "floating down the Napo River in a dugout canoe with piranhas, electric eels, and glistening crocodiles afoot."
This week, when she plays the same piece with the Rochester Philharmonic Orchestra, she'll hear it in a whole new light. Read my concert preview in this week's City newspaper here:
I was going to write a blog today that started with the line, “facebook is evil.”
But I need more time on that subject. Check back later.
Instead, here's an interesting news item about the Rochester Philharmonic Orchestra.
Less than 1 percent of the repertory that orchestras played last year was composed by a black or Latino composer. The RPO has joined a new, national consortium of orchestras to commission major orchestral works from minority composers.
It’s enigmatically named the Sphinx Commissioning Consortium.
On Saturday night, the Rochester Philharmonic Orchestra opened with Fantasia on an Ostinato by John Corigliano, a short piece based on a famous repetitive passage by Ludwig van Beethoven (the second movement of Symphony No. 7.)
I loved it, but others reacted differently.
A Rochester blogger who went to the concert with her husband wrote,