William Weinert

Name that wave

I was preparing a Rochester Philharmonic Orchestra concert for broadcast the other day, and it struck me that the two works on the program had wildly differing sound wave patterns, even though they were recorded at the same levels.  This was interesting!

Here's a quiz.  See if you can tell which of these sound files is . . .

Singing Mahler with people I love

In the first book of a two-volume autobiography, Gunther Schuller: A Life in Pursuit of Music and Beauty (University of Rochester Press, 2011) Gunther Schuller reflects on his early influences.

Ear to the ground

First of all, Eastman Theatre is a MESS, according to Eastman student and WXXI intern Dylan Smith. He poked his head in the other day, and tipped us off to the fact that the School is posting pictures.  Thanks, Dylan!
 
Workers have less than two months to finish major renovations before the RPO opens the new digs October 8th, 9th, and 10th with a performance of Beethoven’s “Ninth Symphony.” The Rochester Oratorio Society will sing the famous ending (“Ode to Joy.”) Members of the Society got an e-mail this week announcing the group has been asked to sing Verdi’s “Requiem” next May with the RPO. This is a significant change. The orchestra’s current schedule lists Verdi's “Aida” in concert May 20th and 22th. So now, as it stands, ROS will bookend the season of Philharmonic concerts. 

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Deck the Hall

Twice this weekend, I zipped up my black boots for the drive to Eastman Theatre to sing Handel’s Messiah with the Rochester Oratorio Society and Rochester Philharmonic Orchestra. I could go on at length about the wit and drama in conductor Christopher Seaman’s interpretation, what a pleasure it is to sing for him, and how, for me, the oratorio gets better each year like a vintage bottle of wine.

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