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Kurt Weill’s American Songs: When Kurt Weill came to America in the 1930s, he created a new body of work that soon became certifiably American.
Iconic Songs: A few songs succeed, few become standards, and even fewer become icons. These are some of the icons.
Living in Loveland: The place where lovers dream of going, expressed in the elevated romanticism of operetta and the everyday talk of Tin Pan Alley.
They’re All Good American Names: American names come from nearly everywhere, from history, the Bible, slang and conversation, and more. And then they turn up in songs.
Dick Haymes Croons: The title says it all, an hour devoted to one of the very best of the crooners.
The Old Made New: The play between old and young, age and youth, in songs whose true subject is the confluence between time and memory.
“Blue Moon” Plus: “Blue Moon” became a great standard without ever becoming a great hit; here is its unlikely story, complete with asides and digressions.
Penthouse Serenade: Songs about living in New York day by day, from a penthouse to a fourth floor walk-up.
Miss Annette Hanshaw: Largely forgotten now (alas), Annette Hanshaw was one of the most popular songs of the Twenties and early Thirties.
The Big Ballads of the 1930s: After the giddy 1920s, the major ballads of the Depression were dark, melancholy, and introspective.
Listings prior to August 2012 can only found by using the navigation menu to the left.
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